Lucy Arai will present photographs of surviving objects and artwork that illustrate life behind barbed wire fences, as she illuminates how threads were used in camp with stories of how sewing, knitting and crocheting were more than the means to provide warm and durable clothing, bedding and items to make barracks into homes where Japanese Americans were forced to live during WWII.
Beginning in Japan, Arai will contextualize her presentation through her own life and art that are of both Japan and America; she is the eldest of three daughters of a Japanese mother and Euro-American father who married during the American Occupation of post-war Japan.
The camaraderie of shared hardships and making items essential for living during the years of incarceration forged relationships that continued after the war years, while sewing became a means for employment that supported families upon release from the incarceration camps. The emergence of creative pursuits with threads continue to the present in many forms that will be highlighted as the means to explore and celebrate Japanese heritage and to tell stories of legacy, survival, and what it means to be Japanese American.
RSVP on Eventbrite.
The exhibit, Stitching Paper: Quilting Japan and America by Lucy Arai, will be on view from June 19 to July 9 in the J-Sei Gallery. The gallery will be open M-F, from 1 to 4 pm, and by appointment. For the community programs on June 24th and July 8th, the gallery will open at 12 noon.
Lucy Arai creates art with a confluence of traditions and innovations. She uses temari (Japanese embroidered balls) and sashiko to fabricate structures, to articulate details in forms, and to respond to the deposits of ink and indigo pigments on handmade papers. These are traditions that were transmitted to her through her Tokyo uncle and Issei mother, while her formal art training was in ceramic sculpture at the University of South Carolina and University of Michigan.
Sashiko is the Japanese tradition of unshin, sewing running-stitches, to strengthen, layer, and connect fabric to protect and warm the body, and for utilitarian items; and temari are intricately embroidered hand balls for games that were introduced to Japan from China around the 7th century A.D.
Arai will present work that retain the integrity of the traditions she practices with innovative applications and non-traditional materials. Her use of sumi ink, the medium of the literati and aristocracy of Japan and Asia, is deliberately untrained to emphasize the eloquence of her humble stitches responding to the deposits and strokes of visceral action, not intellectual expression.
The exhibit, artist talk and workshops are presented by Friends of Topaz Museum and J-Sei.
Learn more about the exhibit and events: https://j-sei.org/2023/05/21/stitching-paper-lucy-arai/
Image credit: J-Sei.org
