Scientists and artists both thrive on uncertainty and a sense of adventure.These two ideas inspire my studio practice. I make textile art about science and because of this, my work takes me out of the studio to some extraordinary locations.
How do you combine art and science? They are so different.
Art about science resides on a continuum. On one end of this continuum is scientific illustration. This is art in the service of science and communicates complex concepts in an engaging way. On the other end of the spectrum is art inspired by science. Art created on the far end of this spectrum expresses something deeply human but not tethered to scientific accuracy.
My art practice resides squarely between these two approaches. I use my training as an artist to learn scientific concepts through a full immersion experience. I create art with emotional impact that accurately expresses science. By taking the time to understand the basic concepts of science, I not only earn the trust of my scientific partners but create art that can be used to inform the public about the value of both scientific research and artistic expression.
What are the challenges you face in combining these two disciplines?
Working in the area between art and science is exhilarating, mind expanding and inspiring. It also poses a few formidable challenges.
As someone without a scientific background, one uncomfortable struggle at the beginning of a project is the process of deciphering the language of science. My research begins with a list of terms I need to define and later translate into my own words. Working with the vocabulary of a particular branch of science is the welcome mat that leads me into understanding more complex scientific concepts. Sharing my understanding with my scientific collaborators along the way helps give me the confidence (and courage) to continue learning as much science as I can.
What sustains you in this particular practice?
Creating samples for a project allows me to test various design ideas, stitch choices and textiles. The joyful energy of synthesizing the art and science during this sampling/planning phase is what sustains me through the long hours of realizing the full-sized pieces. It’s always a thrilling experience to share the finished work with my scientific collaborators and the public. It is the payoff for a job well done.
What’s your next project?
My latest project makes visible the denizens the plankton, a diverse group of ocean drifters (fish larvae, squids, phytoplankton, copepods, crustaceans, salps, and jelly fish) that occupy the top 200 meters of the ocean. Using antique silk kimonos, cottons, embroidery and beading, this work sheds light on a hidden world and reveals their dramatic daily struggle to survive. As these imperiled organisms struggle with rising sea temperatures and increasing ocean acidification, the fate of our oceans is intimately tied to their survival and ultimately our own.
Is there an idea you would like to leave with our readers?
Once I learned that I could use my training as an artist to learn science, my journey as a citizen scientist has become as important to me as my development as a visual artist. After years of searching for the right fit for my artistic expression, the area between art and science presents me with the best possible fit for my skills and passion.
I am passionate about helping others understand what I have learned; that you don’t need a Ph.D. to use science (or any other discipline) to inspire your studio practice.
To explore more about Lindsay Olson’s work, please check out these links:
Exploring the Invisible Lynn Gamwell
Scientific American- What’s an Artist Doing at Fermi Lab?
TextileArtist.org– Lindsay Olson: Soundscapes in Stitch
Follow Lindsay’s Olson’s work on Instagram @lindsayolson816
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